Chivalrous. Respected. Erudite. Wise.

Maestro Nicola Luisotti Speaks


Acclaimed Conductor and Musical Director of the San Francisco Opera, Maestro Nicola Luisotti has agreed to an interview with COMMANDOpera. Under discussion will be a number of topics beyond discussion of all things San Francisco Opera. The Maestro will open the season at the San Francisco Opera with Aida in a new Zhandra Rhodes production, with an all star cast. COMMANDOpera readers may look forward to hear what the Maestro will have to say on topics not thoroughly traversed in previous interviews. When one is endowed with a personage of this magnitude, one does not waste it on discussing insignificant matters. Be prepared.

Posted in The Command Center | Leave a comment

YES to Equal Marriage Rights


For those who have read COMMANDOpera for sometime, there can be no question this venue has had little time for the inferior and venal logic applied (generally through religion) to deny civil rights to cross sections of humanity as is thought fashionable at that moment. One marvels not a little that a society such as America continues to veil the right of marriage to a not insignificant segment of their population. Countries who deem themselves among the most democratic and forward thinking intellectually, have no issue postulating on the correctness of fundamental rights. Did not Spain, a deeply Catholic nation, find the resonance of civility to overlook the harbingers of the church to move in the correct direction joining the ranks of cosmopolitan thought?  

Canada where equal marriage rights were written into law some years ago, should be viewed as a case study for the country south of the border. One would be remiss if one did not advise Canadian society has not become a modern day Sodom and Gomorrah subsequent to enacting the law. Canada historically enjoys the dual pleasure of a special closeness with both Europe and America, which perhaps explains why the country maneuvers itself liberally on sociological issues, and conservatively on fiscal issues.

Mr. Keith Boag is a journalist who for years has been employed at the Canadian Broadcasting Corporation, aka the CBC. Mr. Boag is known to just about every single Canadian on the planet as a deep intellectual, whose prescience on matters political is like no other. Recently Mr. Boag moved to L.A. as the West Coast correspondent for the CBC. As it happens, Mr. Boag and this writer know each other rather well. When his analysis on Prop 8 came out the other day, one was not taken aback by his trademark icy logic, as readers look to this style with great pleasure. The column was a most illuminating read which COMMANDOpera will share with its global readership. The link to Mr. Boag’s article is to be found here.

Posted in The Command Center | Leave a comment

Fidelio at the WNO in Cardiff


The Welsh National Opera opens the 2010 2011 season with a performance of Fidelio on the evening of September 17th at 7:15 Cardiff time. The WNO refers to this season as ”Eternal Light”,which is based on Austrian and German works throughout the season featured in of five of seven productions mounted. The WNO perspective of ‘Eternal Light’ derives from the human journey and the search for redemption and freedom. A rather laudable concept in the opinion of COMMANDOpera, and one which is unquestionably noticed within works from Middle Europe. Nevertheless, audiences need not be overly concerned with doom and gloom, as lighter, fluffier repertoire is part of this mix, such as Die Fledermaus. Here is the WNO’s overview on Fidelio:

Direction, set design and lighting are by Mr. Guiseppe Frigeni, with costumes by Miss Amélie Haas. The performances will largely be under the baton of Mr. Lothar Koenig, who is esteemed by COMMANDOpera for his tasteful and decorous work. Mr. Anthony Negus will take to the podium for two performances. Mr. Denis O’Neill is Florestan, Miss Lisa Milne is Leonore, Miss Elizabeth Donovan is Marzelline, Mr. Robin Tritschler is Jaquino, while Mr Robert Hayward and Mr. Phillip Joll split Don Pizarro, Mr. Clive Bayley and Mr. James Croswell do likewise for Rocco. This is a rather extended run which explains the unusual amount of artist movement.

Posted in In the Houses | Leave a comment