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	<title>COMMANDOpera &#187; The Master Class</title>
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	<link>http://commandopera.com</link>
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		<item>
		<title>Missed Summer</title>
		<link>http://commandopera.com/2012/05/17/missed-summer/</link>
		<comments>http://commandopera.com/2012/05/17/missed-summer/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:07:44 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24743</guid>
		<description><![CDATA[BRAVA SIGNORA!]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Inside Front Cover Opera America</title>
		<link>http://commandopera.com/2012/05/17/inside-front-cover-opera-america/</link>
		<comments>http://commandopera.com/2012/05/17/inside-front-cover-opera-america/#comments</comments>
		<pubDate>Thu, 17 May 2012 14:19:10 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24730</guid>
		<description><![CDATA[For those global readers who do not receive the opera publication &#8216;Opera America&#8217; which is arrives from the trade organisation of the same name, here is the new FEDERAL ARTS inside front cover of the upcoming edition. Given the magazine which will be front and center at next months trade show in Philadelphia, we decided to execute [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mr. Evans Mirageas Interview</title>
		<link>http://commandopera.com/2012/05/07/mr-evans-mirageas-interview/</link>
		<comments>http://commandopera.com/2012/05/07/mr-evans-mirageas-interview/#comments</comments>
		<pubDate>Mon, 07 May 2012 17:28:58 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24502</guid>
		<description><![CDATA[Mr. Evans Mirageas, the Harry T Wilks Artistic Director of the Cincinnati Opera will speak with COMMANDOpera this week in an exclusive interview which will go live on Friday. COMMANDOpera has spent a number of years surveying the American Opera scene, and has noticed certain trends to be consistent where importance is concerned. Does a [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2012/05/07/mr-evans-mirageas-interview/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>FEDERAL ARTS TRENDING</title>
		<link>http://commandopera.com/2012/05/07/federal-arts-trending-2/</link>
		<comments>http://commandopera.com/2012/05/07/federal-arts-trending-2/#comments</comments>
		<pubDate>Mon, 07 May 2012 13:19:16 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24468</guid>
		<description><![CDATA[Today in FEDERAL ARTS Trending.]]></description>
		<wfw:commentRss>http://commandopera.com/2012/05/07/federal-arts-trending-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Conrad Black Returns to Canada</title>
		<link>http://commandopera.com/2012/05/02/conrad-black-returns-to-canada/</link>
		<comments>http://commandopera.com/2012/05/02/conrad-black-returns-to-canada/#comments</comments>
		<pubDate>Wed, 02 May 2012 12:42:52 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24364</guid>
		<description><![CDATA[COMMANDOpera welcomes a distinguished Canadian gentleman home. Bravo Signore.]]></description>
		<wfw:commentRss>http://commandopera.com/2012/05/02/conrad-black-returns-to-canada/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>EXCELLENT</title>
		<link>http://commandopera.com/2012/04/29/excellent/</link>
		<comments>http://commandopera.com/2012/04/29/excellent/#comments</comments>
		<pubDate>Mon, 30 Apr 2012 00:25:24 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24340</guid>
		<description><![CDATA[]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Out of Date Courtesy</title>
		<link>http://commandopera.com/2012/04/29/an-out-of-date-courtesy/</link>
		<comments>http://commandopera.com/2012/04/29/an-out-of-date-courtesy/#comments</comments>
		<pubDate>Sun, 29 Apr 2012 16:38:27 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=24326</guid>
		<description><![CDATA[COMMANDOpera feels behooved to categorically pronounce on a vexing matter prerogative which concerns both theatres and artists. The question which must be updated and resolved, regards the critical notion of who announces first. Only a few weeks ago, COMMANDOpera was speaking with a regional American theatre which mounts five productions annually. During conversation, the individual [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jeffrey Vanderveen on Strategy</title>
		<link>http://commandopera.com/2012/03/20/jeffrey-vanderveen-on-strategy/</link>
		<comments>http://commandopera.com/2012/03/20/jeffrey-vanderveen-on-strategy/#comments</comments>
		<pubDate>Tue, 20 Mar 2012 15:11:48 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=23739</guid>
		<description><![CDATA[COMMANDOpera spoke with Mr. Jeffrey Vanderveen who is the master strategist nonpareil in the art form of Opera today. Given the significance of the great mind at play here, COMMANDOpera determined to approach Mr. Vanderveen to see if he would be open to discussing the basics for emerging artists.  Mr. Vanderveen in singularly the guiding [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2012/03/20/jeffrey-vanderveen-on-strategy/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jeffrey Vanderveen Event</title>
		<link>http://commandopera.com/2012/03/11/jeffrey-vanderveen-event/</link>
		<comments>http://commandopera.com/2012/03/11/jeffrey-vanderveen-event/#comments</comments>
		<pubDate>Sun, 11 Mar 2012 17:47:41 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=23690</guid>
		<description><![CDATA[Mr. Jeffrey Vanderveen, arguably one of the most powerful and influential individuals in Opera today, will speak with COMMANDOpera in an exclusive interview. Global readers are most aware, it is Mr. Vanderveen who has guided the careers of Miss Netrebko, Miss Garanca, and Mr. Villazon to name only a few, to superstar status. COMMANDOpera notes Mr. [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2012/03/11/jeffrey-vanderveen-event/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jeffrey Vanderveen Exclusive</title>
		<link>http://commandopera.com/2012/02/27/jeffrey-vanderveen-exclusive/</link>
		<comments>http://commandopera.com/2012/02/27/jeffrey-vanderveen-exclusive/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 19:59:12 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=23385</guid>
		<description><![CDATA[COMMANDOpera is most pleased to advise global readers of an upcoming exclusive Skype interview with Mr. Jeffrey Vanderveen during the week of March 5th. Mr. Vanderveen is widely considered one of the most powerful individuals in Opera globally who knows of what he speaks after twenty years in the industry. In this instance, Mr. Vanderveen has [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2012/02/27/jeffrey-vanderveen-exclusive/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Federal Arts Public Relations</title>
		<link>http://commandopera.com/2012/02/23/federal-arts-public-relations/</link>
		<comments>http://commandopera.com/2012/02/23/federal-arts-public-relations/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 18:16:17 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[In the Houses]]></category>
		<category><![CDATA[Intermission]]></category>
		<category><![CDATA[The Command Center]]></category>
		<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=23227</guid>
		<description><![CDATA[COMMANDOpera over the years has spent a great deal of time and energy promoting the art form of Opera to a global community of readers who are interested. In undertaking research of the various articles which appeared on COMMANDOpera I was struck by the extraordinary range of Public Relations offered to the media. In house [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2012/02/23/federal-arts-public-relations/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Miss Etta James Encore</title>
		<link>http://commandopera.com/2011/12/17/miss-etta-james-encore/</link>
		<comments>http://commandopera.com/2011/12/17/miss-etta-james-encore/#comments</comments>
		<pubDate>Sat, 17 Dec 2011 19:01:16 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=22266</guid>
		<description><![CDATA[The presence of Miss Etta James on the musical scene in her genre in the late 50&#8242;s and early 60&#8242;s. sparked a revolution for female artists. Long before Miss James influenced artists such as Adele and Beyonce, she was the inspiration for Miss Janis Joplin among others. Her tear soaked blues were visceral in their [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/12/17/miss-etta-james-encore/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An Abstract of Marcel Richter</title>
		<link>http://commandopera.com/2011/11/26/an-abstract-of-marcel-richter/</link>
		<comments>http://commandopera.com/2011/11/26/an-abstract-of-marcel-richter/#comments</comments>
		<pubDate>Sat, 26 Nov 2011 22:01:55 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=21771</guid>
		<description><![CDATA[Whilst recently in Washington DC on a private tour, COMMANDOpera received an invitation to tea at the residence of the American artist Marcel Richter. Perhaps this invitation would rank as the most extraordinary of all the great houses visited while in the area. Such an estate as the one Mr. Richter occupies while in America each half [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/11/26/an-abstract-of-marcel-richter/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Dogs Day</title>
		<link>http://commandopera.com/2011/11/24/a-dogs-day/</link>
		<comments>http://commandopera.com/2011/11/24/a-dogs-day/#comments</comments>
		<pubDate>Thu, 24 Nov 2011 18:56:28 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=21716</guid>
		<description><![CDATA[COMMANDOpera is seriously under the weather, and determined (after conducting lengthy Skype interview) to call it an early day and retire to the drawing room where an excellent fire awaits alongside Earl Grey (Russian version). The link to this video was sent over by a reader, and it is too precious not to share. Today would seem [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/11/24/a-dogs-day/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>On Excellent Conduct</title>
		<link>http://commandopera.com/2011/10/15/on-excellent-conduct/</link>
		<comments>http://commandopera.com/2011/10/15/on-excellent-conduct/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 15:56:05 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=20817</guid>
		<description><![CDATA[COMMANDOpera receives mail of all manner including those of a more personal context. These words are destined for a troubled individual, yet one trusts they offer similar inspiration to others in a state of temporary decline. The True Gentleman is the man whose conduct proceeds from good will and an acute sense of propriety, and whose self-control is equal to [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/10/15/on-excellent-conduct/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Photograph by Cory Weaver</title>
		<link>http://commandopera.com/2011/10/06/photograph-by-cory-weaver/</link>
		<comments>http://commandopera.com/2011/10/06/photograph-by-cory-weaver/#comments</comments>
		<pubDate>Thu, 06 Oct 2011 23:45:21 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=20577</guid>
		<description><![CDATA[Photo Credit: Mr. Cory Weaver Before COMMANDOpera goes live with articles on theatres in Texas, Just one more from Kansas City. How often does one have the opportunity to be photographed by the storied photographer Cory Weaver? Mr. Weaver just sent over two excellent shots, but it is the one above COMMANDOpera determined to go [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/10/06/photograph-by-cory-weaver/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Eye of Misha Mikhaylov</title>
		<link>http://commandopera.com/2011/09/06/the-eye-of-misha-mikhaylov/</link>
		<comments>http://commandopera.com/2011/09/06/the-eye-of-misha-mikhaylov/#comments</comments>
		<pubDate>Tue, 06 Sep 2011 18:46:27 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=20082</guid>
		<description><![CDATA[As global readers are aware, COMMANDOpera spends a great deal of time looking at and assessing all manner of area&#8217;s related to the art form of Opera. Perhaps the most noticeable dereliction of duty are the publicity stills of artists, for there can be no question the first imprint on the mind revolves around the [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/09/06/the-eye-of-misha-mikhaylov/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Moor Next Door</title>
		<link>http://commandopera.com/2011/08/30/the-moor-next-door/</link>
		<comments>http://commandopera.com/2011/08/30/the-moor-next-door/#comments</comments>
		<pubDate>Tue, 30 Aug 2011 19:56:15 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=19995</guid>
		<description><![CDATA[This is not an article to do with the art form, but rather current events. COMMANDOpera observes far and wide to pursue intellectual thinking on the currents of today, which explains the articles written on the &#8216;Arab spring&#8217;. Perhaps one of the most extraordinarily well written perspectives may be found from a new media writer whose [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/08/30/the-moor-next-door/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>COMMANDOpera Road Tour</title>
		<link>http://commandopera.com/2011/08/19/commandopera-road-tour/</link>
		<comments>http://commandopera.com/2011/08/19/commandopera-road-tour/#comments</comments>
		<pubDate>Fri, 19 Aug 2011 21:11:59 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=19721</guid>
		<description><![CDATA[COMMANDOpera has been working rather assiduously on the upcoming Autumn road tour in the last few days which explains the dearth of articles. The groundwork required to undertake such a tour is daunting to be sure, however all the hours spent are opening a light at the end of the proverbial tunnel. Indeed, COMMANDOpera will [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/08/19/commandopera-road-tour/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Miss Coulter on British Knavery</title>
		<link>http://commandopera.com/2011/08/11/miss-coulter-on-british-knavery/</link>
		<comments>http://commandopera.com/2011/08/11/miss-coulter-on-british-knavery/#comments</comments>
		<pubDate>Thu, 11 Aug 2011 20:16:45 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=19506</guid>
		<description><![CDATA[For those who are unaware, Miss Ann Coulter is an extremely erudite American author (barrister by trade) who enjoys a significant career on speaking from the Conservative perspective on a wide range of issues. Although Miss Coulter assuredly knows numerous detractors from the other side of persuasion, it is impossible to underestimate the extraordinary breadth of intellect she singularly owns. Her [...]]]></description>
		<wfw:commentRss>http://commandopera.com/2011/08/11/miss-coulter-on-british-knavery/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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