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	<title>COMMANDOpera &#187; Intermission</title>
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		<title>COMMANDOpera advises Twitter</title>
		<link>http://commandopera.com/2010/03/20/commandopera-advises-twitter/</link>
		<comments>http://commandopera.com/2010/03/20/commandopera-advises-twitter/#comments</comments>
		<pubDate>Sat, 20 Mar 2010 15:50:38 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[Intermission]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=6192</guid>
		<description><![CDATA[COMMANDOpera has been utilising the social media twitter since December 7th of last year. The by product of being unable to &#8216;live blog&#8217; a performance for readers as the WiFi signal was seriously compromised. Here is the link:  http://twitter.com/commandopera for those who would like to know immediately the headline of all articles as they go live. Since that time [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-2077" href="http://commandopera.com/2009/12/07/twitter-commandopera/twitter-logo/"><img class="alignnone size-full wp-image-2077" title="twitter-logo" src="http://commandopera.com/wp-content/uploads/2009/12/twitter-logo.png" alt="" width="600" height="221" /></a><br />
COMMANDOpera has been utilising the social media twitter since December 7th of last year. The by product of being unable to &#8216;live blog&#8217; a performance for readers as the WiFi signal was seriously compromised. Here is the link: <a href="http://twitter.com/commandopera" target="_blank"> http://twitter.com/commandopera</a> for those who would like to know immediately the headline of all articles as they go live. Since that time COMMANDOpera has paid a great deal of attention to watching the tweets of other related Opera art form venues, and it really can become addictive. Indeed there are tweeters who really can come up with the most mindless and insipid thought imaginable, but they generally reside in L.A. and are not related to Opera. Nevertheless, the amount of critical information on Opera one derives from twitter is seriously impressive. Interestingly, opera houses globally are utilising the resource more and more frequently to get their message out to the public at large. COMMANDOpera advises <strong>ALL</strong> readers to get yourself an account and hook yourself up everywhere so that you may have the important and relevant information<em> you </em>want delivered directly to your computer. Start with COMMANDOpera and take a look at who I am following as a place to begin (your welcome&#8230;..).</p>
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		<title>My Diva Roars</title>
		<link>http://commandopera.com/2010/03/12/my-diva-roars/</link>
		<comments>http://commandopera.com/2010/03/12/my-diva-roars/#comments</comments>
		<pubDate>Fri, 12 Mar 2010 19:37:06 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[Intermission]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=5967</guid>
		<description><![CDATA[Well research does take COMMANDOpera to some rather unusual places. A few weeks back COMMANDOpera profiled the acclaimed Soprano Miss Arianna Zukerman, and while doing so, stumbled across a business venture Miss Zukerman was involved with. An iPhone application. One has to admit that after meeting with Miss Zukerman, nothing which had to do with [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-5966" href="http://commandopera.com/2010/03/12/my-diva-roars/arianna-as-diva/"><img class="alignnone size-full wp-image-5966" title="Arianna as Diva" src="http://commandopera.com/wp-content/uploads/2010/03/Arianna-as-Diva.jpg" alt="" width="600" height="605" /></a><br />
Well research does take COMMANDOpera to some rather unusual places. A few weeks back COMMANDOpera profiled the acclaimed Soprano Miss Arianna Zukerman, and while doing so, stumbled across a business venture Miss Zukerman was involved with. An iPhone application. One has to admit that after meeting with Miss Zukerman, nothing which had to do with promoting music was off the table where this artist is concerned. While we did not speak on it at the time, one has finally heard from Miss Zukerman about<a href="http://www.mydivaroars.com/" target="_blank"> &#8216;My Diva Roars&#8217;</a> . Aaah this is a site you have to look into for the sheer humor value that is unique to say the least. Miss Zukerman who is in California doing her first Rossini Stabat Mater, indicated that she and her husband and a few friends came up with the novelty which is intended as a tongue in cheek introduction to Opera. COMMANDOpera will not give more than that away, other than to tell you its now available at the iTunes app store!</p>
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		<title>Lyric Opera Edition of IDOL</title>
		<link>http://commandopera.com/2010/03/09/lyric-opera-edition-of-idol/</link>
		<comments>http://commandopera.com/2010/03/09/lyric-opera-edition-of-idol/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 17:43:52 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[In the Houses]]></category>
		<category><![CDATA[Intermission]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=5848</guid>
		<description><![CDATA[On so many levels COMMANDOpera smiles broadly at this story. Perhaps the most fun is that the Lyric Opera of Chicago is going to New York to poach some Eastern Seaboard vocal talent. COMMANDOpera HIGHLY advises vocal artists in the Tenor range who reside in the New York area to take a good look at this article. A year of [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-4808" href="http://commandopera.com/2010/02/20/damnation-of-faust-at-the-lyric-opera-of-chicago/lyric-logo/"><img class="alignnone size-full wp-image-4808" title="Lyric logo" src="http://commandopera.com/wp-content/uploads/2010/02/Lyric-logo.jpg" alt="" width="600" height="241" /></a><br />
On so many levels COMMANDOpera smiles broadly at this story. Perhaps the most fun is that the Lyric Opera of Chicago is going to New York to poach some Eastern Seaboard vocal talent. COMMANDOpera HIGHLY advises vocal artists in the Tenor range who reside in the New York area to take a good look at this article. A year of chorus with The Lyric Opera of Chicago looks pretty decent on any C.V. thank you very much!  </p>
<p><strong>Chorus Tenor Auditions in New York City for LYRIC OPERA OF CHICAGO on Monday, April 12,  for Lyric’s 2010-2011 Season Macbeth, Carmen, A Midsummer Night’s Dream, A Masked Ball, The Mikado, The Girl of the Golden West, Lohengrin, &amp; Hercules.</strong></p>
<p>William Mason, General Director<br />
Sir Andrew Davis, Music Director<br />
Donald Nally, Chorus Master</p>
<p>Lyric Opera of Chicago will hold auditions in New York City on Monday, April 12 for experienced, classically trained tenors to fill chorus tenor openings in the company’s choral ensemble for the 2010-2011season.</p>
<p>The world-renowned opera company has openings for tenors in its Regular Chorus and Supplementary Chorus for its 56th season, which commences Oct. 1. Lyric Opera of Chicago’s eight-opera season comprises 68 performances in 24 weeks.<br />
 <br />
<strong>CHORUS TENOR AUDITIONS will be held in NEW YORK on Monday, April 12, from 4:00 – 9:00 p.m. </strong><strong>AUDITIONS ARE BY INVITATION ONLY.</strong> To be considered for an audition, tenors should send a current résumé and photo to:</p>
<p>Chorus Auditions Coordinator<br />
Lyric Opera of Chicago<br />
20 North Wacker Drive, Suite 860<br />
Chicago, IL 60606</p>
<p>or <a href="mailto:choraud@lyricopera.org" target="_blank">choraud@lyricopera.org</a></p>
<p>The deadline for submitting materials is Monday, April 5, 2010. Once materials are received, applicants will be evaluated by the Chorus Master and appointments will be made for qualified candidates.  Not all applicants who submit a résumé and photo will be asked to audition.  Walk-ins will NOT be seen.</p>
<p>New York City chorus tenor auditions for Lyric Opera of Chicago will be held on the Lincoln Center campus in the Daniel and Joanna S. Rose Rehearsal Studio. The Daniel and Joanna S. Rose Rehearsal Studio is located in the Rose Building, 10th floor, at 65th Street and Amsterdam Avenue.</p>
<p><strong>AUDITION REQUIREMENTS</strong><br />
Lyric Opera of Chicago seeks classically trained tenors who are prepared for a professional career. Candidates are expected to prepare one operatic aria in a foreign language by memory that best demonstrates vocal ability. A second aria may be requested which may be in English. Lyric Opera of Chicago will furnish an accompanist. Candidates must provide a copy of each aria for the accompanist – legible and in the correct key. They should also be prepared to sight read. The ability to read and memorize music quickly and accurately is a must.</p>
<p>Candidates are required to prove United States citizenship; permanent residency; or possess, at the time of the audition, legal permission to work in the United States of America during the rehearsal and performance period.</p>
<p>Please note that guests will not be permitted into the audition site.</p>
<p>For more information please call the audition hotline at (312) 827-3548 or email <a href="mailto:choraud@lyricopera.org" target="_blank">choraud@lyricopera.org</a></p>
<p><strong>REGULAR CHORUS</strong><br />
In the 2010-2011 season, first-year choristers will be offered a 32-week contract at a salary of<strong> $1,343.50</strong> per week. Musical rehearsals will begin on or about August 2, 2010, with staging rehearsals beginning in September. Prior to the beginning of staging, musical rehearsals will be held Monday through Friday during the day and evening hours. Once staging begins, there will also be weekend rehearsals. A full (tentative) schedule will be provided prior to the commencement of rehearsals. The 2010-2011 performance season runs from October 2010 through March 2011.</p>
<p><strong>SUPPLEMENTARY CHORUS<br />
</strong>Musical rehearsals will begin on or about August 2, 2010, with staging rehearsals beginning in September. Music rehearsals involving the supplementary chorus are scheduled on weekdays in the late afternoon and evenings. Once staging begins, there will also be weekend rehearsals. A full (tentative) schedule of rehearsals and performances will be provided prior to the commencement of rehearsals. The 2010-2011 performance season runs from October 2010 through March 2011. The salary for a supplementary chorister depends on the number of productions for which the singer is engaged, ranging from one to four productions. Compensation for a supplementary chorister in the 2010-2011 season ranges from <strong>$49.76 to $71.10 per rehearsal hour and $253.00 to $284.50 per performance</strong>.</p>
<p>During Lyric Opera of Chicago’s 56th season, the chorus performs in Verdi’s Macbeth and A Masked Ball, Puccini’s The Girl of the Golden West, Bizet’s Carmen, Wagner’s Lohengrin, Handel’s Hercules, and Gilbert &amp; Sullivan’s The Mikado. (Britten’s A Midsummer Night’s Dream uses only children’s chorus.) For more information about the artists and productions of Lyric’s 2010-11 season go to <a href="http://www.lyricopera.org" target="_blank">www.lyricopera.org</a> .</p>
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		<title>Work It!</title>
		<link>http://commandopera.com/2010/02/09/work-it/</link>
		<comments>http://commandopera.com/2010/02/09/work-it/#comments</comments>
		<pubDate>Tue, 09 Feb 2010 21:34:43 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[In the Houses]]></category>
		<category><![CDATA[Intermission]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=4420</guid>
		<description><![CDATA[THIS is what COMMANDOpera likes to hear from houses when it comes to fundraising! BRAVO! Lyric Opera of Chicago’s Fantasy of the Opera Gala $ 504,000 net raised!  Guild Board of Directors’ 26th annual Fantasy fundraiser,  “Hearts Afire,” sizzled in the Civic Opera House on Sat., Feb. 6, 2010 A thousand ruby and magenta roses, [...]]]></description>
			<content:encoded><![CDATA[<p><a rel="attachment wp-att-4421" href="http://commandopera.com/2010/02/09/work-it/lyr_centered-copy-2/"><img class="alignnone size-full wp-image-4421" title="Lyr_centered copy" src="http://commandopera.com/wp-content/uploads/2010/02/Lyr_centered-copy.jpg" alt="" width="600" height="241" /></a></p>
<p><strong>THIS</strong> is what COMMANDOpera likes to hear from houses when it comes to fundraising<strong>!</strong></p>
<p><strong>BRAVO!</strong></p>
<p><strong>Lyric Opera of Chicago’s Fantasy of the Opera Gala<br />
</strong><strong><br />
$ 504,000 net raised!</strong> </p>
<p>Guild Board of Directors’ 26th annual Fantasy fundraiser,  “Hearts Afire,” sizzled in the Civic Opera House on Sat., Feb. 6, 2010</p>
<p>A thousand ruby and magenta roses, fiery red table linens and curtains, plus cut crystal centerpieces, elaborate rose-colored lighting, and ornately painted signage all set the scene for “Hearts Afire,” the 26th annual Fantasy of the Opera Gala benefit hosted by Lyric Opera of Chicago’s Guild Board of Directors at the Civic Opera House on Saturday, February 6.</p>
<p>Early in the evening, an array of elegant tastings prepared by some of Chicago’s top chefs enticed the crowd of 560 ticket-holders for the festive fundraiser. Restaurant stations could be found throughout the Daniel F. and Ada L. Rice Grand Foyer and American Airlines Mezzanine. Many enjoyed an “Elixir of Love” cocktail (rum punch served in bright red glasses on lit neon trays) and other refreshments while they placed silent-auction bids beneath red silk canopies in the Nancy W. Knowles Lobby, or purchased raffle tickets.</p>
<p>The Fantasy Cabaret showcased the diverse musical talents of current Lyric artists <strong>Nicole Cabell</strong> (The Elixir of Love), <strong>Danielle de Niese</strong> (The Marriage of Figaro),<strong> Susan Graham</strong> (The Damnation of Faust), <strong>Joyce DiDonato</strong> (Figaro), <strong>David Cangelosi</strong> (Tosca), and <strong>Philip Kraus</strong> (Figaro); as well as Ryan Opera Center members Angela Mannino, Amber Wagner, Kathryn Leemhuis, and David Portillo. Selections by William Bolcom, Cole Porter, Stephen Sondheim, Kurt Weill, Rogers &amp; Hart, Rodgers &amp; Hammerstein, and others were performed. Lyric’s music director Sir Andrew Davis was master of ceremonies, and pianist Craig Terry accompanied the singers.</p>
<p>Baritone <strong>Mark Delavan</strong>, who starred in last season’s “Cav/Pag” and returns next season for A Masked Ball, brought down the house with his soulful renditions of Elvis Presley’s “Blue Eyes Crying in the Rain” and Johnny Cash’s “Folsom Prison Blues,” which had Fantasy guests clapping along. In a Fantasy Cabaret first, Delavan sang an encore – “Ring of Fire,” also by Johnny Cash. Delavan accompanied himself on guitar, and was joined by pianist Craig Terry and double-bass player Jonathan Gilley.</p>
<p>Following a seated dinner prepared by Calihan Catering, many guests danced to the Ken Arlen’s Indigo in the Daniel F. and Ada L. Rice Grand Foyer until midnight. Others enjoyed elegant chocolates by Godiva in the Opera Club, which was dubbed the GoDiva Lounge for the evening.</p>
<p>Sometime after 11 p.m. mezzo-soprano Susan Graham joined Ken Arlen’s Indigo onstage for an impromptu rendition of George Gershwin’s “Summertime.” Guests on the main floor stopped dancing to listen, while those on the mezzanine level (including Lyric general director William Mason and his wife Diana Davis), crowded the rail to watch. Mezzo soprano Joyce DiDonato, who earlier in the evening had crooned “My Funny Valentine” during the cabaret, encouraged her fellow mezzo to go for the high C.</p>
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		<title>St. Valentines Day in Chicago</title>
		<link>http://commandopera.com/2009/12/15/st-valentines-day-in-chicago/</link>
		<comments>http://commandopera.com/2009/12/15/st-valentines-day-in-chicago/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 20:10:19 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[Intermission]]></category>

		<guid isPermaLink="false">http://commandopera.com/?p=2344</guid>
		<description><![CDATA[This is an advertisement for the Lyric Opera, similar to the fundraiser in San Francisco. Although COMMANDOpera could have a great deal of fun with anything based around St. Valentines Day in Chicago, I am certain this will not be a massacre of anything other then your checkbook. But at least the rewards are worthwhile on [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-2348" title="LO_HeartAfire_web" src="http://commandopera.com/wp-content/uploads/2009/12/LO_HeartAfire_web.jpg" alt="LO_HeartAfire_web" width="600" height="229" /><br />
This is an advertisement for the Lyric Opera, similar to the fundraiser in San Francisco. Although COMMANDOpera could have a great deal of fun with anything based around St. Valentines Day in Chicago, I am certain this will not be a massacre of anything other then your checkbook. But at least the rewards are worthwhile on this date with history.</p>
<p><strong>FANTASY OF THE OPERA<br />
<em><br />
Saturday, February 6, beginning at 6:30 p.m.</em></strong><br />
<strong><em><br />
Sumptuous mid-winter celebration features Lyric stars, top restaurateurs, chefs, and Godiva Chocolates! Capacity crowd of 640 guests expected to enjoy decadent gastronomic delicacies, red-hot cabaret, “Go-Diva!” Chocolate Lounge, delightful dancing, and a fabulous silent auction and raffle! $400/person Black tie &amp; hearts-afire attire – shades of red, hot pink encouraged!</em></strong></p>
<p>Lyric Opera of Chicago’s Guild Board of Directors celebrates its 26th Fantasy of the Opera in the Civic Opera House, 20 N. Wacker Drive., on Saturday, February 6, 2010, beginning at 6:30 p.m.  </p>
<p>Fabulous food! Terrific music! Great friends! The Fantasy of the Opera is presented by the Lyric Opera Guild Board of Directors, and has been heating up Chicago’s winter social scene for 26 years while raising important funds to benefit Chicago’s own world-renowned opera company. It’s one of Lyric’s most exciting and elegant events – truly “the hottest party in the coldest month,” which makes this year’s theme, “Hearts Afire,” especially appropriate! Guests at the $400 per-person black-tie fundraiser will begin the evening with specialty cocktails or champagne and gourmet hors d’oeuvres prepared by some of Chicago’s top restaurants: Carnivale, Coco Pazzo, Devon Seafood Grill, Il Mulino, Lloyd’s Chicago, Lockwood Restaurant, N9NE Steakhouse, One North Kitchen &amp; Bar, Phil Stefani’s 437 Rush, Piccolo Sogno, primebar, Prosecco, Province, and Shikago Restaurant.</p>
<p>This season’s Fantasy Raffle features American Airlines (Lyric’s official airline) round trips for two to Paris (business class) and round trips for two (business class and first class) on American Airlines to any destination in the world; and a six-month membership at The Spa at Trump Tower.<br />
 <br />
This season’s Fantasy Silent Auction (held in the Nancy W. Knowles Lobby) features a 4-night stay at Beaver Creek Resort in Colorado, including ski passes and equipment rental; a dinner and fireworks spectacular at the exclusive Independence Day celebration at the Chicago Yacht Club; a chic and practical Prada hobo bag; plus an enticing array of weekend getaways, luxury items, sports-event tickets, opera tickets and memorabilia, and more. The Cabaret performance in the Ardis Krainik Theatre begins at 8 p.m. and features stars of Lyric’s current and previous seasons. Music Director Sir Andrew Davis will serve as Master of Ceremonies;  Nicole Cabell (Elixir of Love), David Cangelosi (Tosca), Mark Delavan (Cav/Pag), Susan Graham (The Damnation of Faust), Danielle de Niese, Joyce DiDonato, and  Philip Kraus (The Marriage of Figaro), Joseph Kaiser (Faust), and members of the Patrick G. and Shirley W. Ryan Opera Center will perform selections from the great American songbook, Broadway classics, and light operatic fare.</p>
<p>After the Cabaret, guests will enjoy a festively elegant seated dinner prepared by Calihan Catering. At 10 p.m. the “Go-Diva” Chocolate Lounge opens in the lower-level Opera Club. Liqueurs and specialty coffees will be served, along with sweet indulgences courtesy of Godiva Chocolatier. Guests will enjoy dancing to music performed by Ken Arlen’s Indigo in the Daniel F. and Ada L. Rice Grand Foyer, with sizzling décor by Kehoe Designs. </p>
<p><strong>All proceeds benefit Lyric Opera of Chicago.</strong></p>
<p>Valet parking is complimentary to all guests.  To make a reservation and for more information, visit <a href="http://www.lyricopera.org\fantasy" target="_blank">www.lyricopera.org\fantasy</a> or call (312) 827-5656.</p>
<p>For a sneak peek at some hot silent-auction items that are Lyric exclusives, go to <a href="http://www.makeitbetter.net/make-a-difference/charity-auctions" target="_blank">http://www.makeitbetter.net/make-a-difference/charity-auctions</a></p>
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		<title>How to Navigate COMMANDOpera</title>
		<link>http://commandopera.com/2009/11/03/how-to-navigate-commandopera/</link>
		<comments>http://commandopera.com/2009/11/03/how-to-navigate-commandopera/#comments</comments>
		<pubDate>Tue, 03 Nov 2009 19:33:23 +0000</pubDate>
		<dc:creator>CrewMantle</dc:creator>
				<category><![CDATA[In the Houses]]></category>
		<category><![CDATA[Intermission]]></category>
		<category><![CDATA[The Command Center]]></category>
		<category><![CDATA[The Master Class]]></category>

		<guid isPermaLink="false">http://commandopera.com/dev/?p=84</guid>
		<description><![CDATA[Alright. I determined to make this a different kind of blog. Most important is to make all surfers welcome regardless of their intellectual background regarding opera. Without question there are many up and coming young operaphiles who have not yet found all they need to know about this art form. COMMANDOpera will continually work be the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-529" title="compass" src="http://commandopera.com/wp-content/uploads/2009/11/compass.jpg" alt="compass" width="600" height="549" /><br />
Alright. I determined to make this a different kind of blog. Most important is to make all surfers welcome regardless of their intellectual background regarding opera. Without question there are many up and coming young operaphiles who have not yet found all they need to know about this art form. COMMANDOpera will continually work be the go to place for this group as they represent the future. As for the hardcore, you will find suitable and relentless titillation at COMMANDOpera.</p>
<p><strong>IN THE HOUSES</strong> is where you go when you want to find out who is doing what in which house down the road. But  perhaps more importantly, what happened the night before! Posts that are not informational are filed here.</p>
<p>I need not explain what <strong>BREAKING NEWS</strong> is all about to any readers. If there is an announcement or developing story of CRITICAL importance it will be placed here. <em>Anyone </em>connected professionally within the industry who wishes to immediately release newsworthy items may submit them to directly and confidentially to myself at <a href="mailto:crewmantle@commandopera.com">crewmantle@commandopera.com</a> in the Contact area.</p>
<p>A section that will be most useful is <strong>THE COMMAND CENTER</strong>. Any&#8230; ANY questions you may require an answer to can be submitted here, and if I can&#8217;t find the answer through my extensive network, an educated reply will at the very least be given. Bear in mind COMMANDOpera is NOT a news desk and does not have access to the resources of the mainstream media. Queries of this nature can be directed to <a href="mailto:commandcenter@commandopera.com">commandcenter@commandopera.com</a>  in the Contact area.  This is where all  informational posts will be archived.</p>
<p>This department is where posts which are educational in context will reside. For those who are directly involved with opera in all its facets there will be <strong>THE MASTER CLASS</strong>. While many artists have their own blogs, I would invite them to post here on relevant topics. For instance, say a tenor is perfoming Alfredo in La Traviata and wants to announce something special he intends to do during a particular broadcast, he could announce it to the global audience here. Or for that matter, if a senior artist wishes to give back to students a useful technique or approach regarding a section of a work, this would be the place. These posts will not be edited in any manner (other than perhaps the odd translation error), as they are the direct words from these esteemed artists. I invite artists to submit directly to <a href="mailto:masterclass@commandopera.com">masterclass@commandopera.com</a> in the Contact area.</p>
<p>Naturally COMMANDOpera will avail any artist or house the global reach of  the <strong>INTERMISSION</strong> section. Discrete rate enquiries can be made to <a href="mailto:crewmantle@commandopera.com">advertise@commandopera.com</a> in the Contact area.</p>
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