Chivalrous. Respected. Erudite. Wise.

Intermission

COMMANDOpera advises Twitter


COMMANDOpera has been utilising the social media twitter since December 7th of last year. The by product of being unable to ‘live blog’ a performance for readers as the WiFi signal was seriously compromised. Here is the link:  http://twitter.com/commandopera for those who would like to know immediately the headline of all articles as they go live. Since that time COMMANDOpera has paid a great deal of attention to watching the tweets of other related Opera art form venues, and it really can become addictive. Indeed there are tweeters who really can come up with the most mindless and insipid thought imaginable, but they generally reside in L.A. and are not related to Opera. Nevertheless, the amount of critical information on Opera one derives from twitter is seriously impressive. Interestingly, opera houses globally are utilising the resource more and more frequently to get their message out to the public at large. COMMANDOpera advises ALL readers to get yourself an account and hook yourself up everywhere so that you may have the important and relevant information you want delivered directly to your computer. Start with COMMANDOpera and take a look at who I am following as a place to begin (your welcome…..).

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My Diva Roars


Well research does take COMMANDOpera to some rather unusual places. A few weeks back COMMANDOpera profiled the acclaimed Soprano Miss Arianna Zukerman, and while doing so, stumbled across a business venture Miss Zukerman was involved with. An iPhone application. One has to admit that after meeting with Miss Zukerman, nothing which had to do with promoting music was off the table where this artist is concerned. While we did not speak on it at the time, one has finally heard from Miss Zukerman about ‘My Diva Roars’ . Aaah this is a site you have to look into for the sheer humor value that is unique to say the least. Miss Zukerman who is in California doing her first Rossini Stabat Mater, indicated that she and her husband and a few friends came up with the novelty which is intended as a tongue in cheek introduction to Opera. COMMANDOpera will not give more than that away, other than to tell you its now available at the iTunes app store!

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Lyric Opera Edition of IDOL


On so many levels COMMANDOpera smiles broadly at this story. Perhaps the most fun is that the Lyric Opera of Chicago is going to New York to poach some Eastern Seaboard vocal talent. COMMANDOpera HIGHLY advises vocal artists in the Tenor range who reside in the New York area to take a good look at this article. A year of chorus with The Lyric Opera of Chicago looks pretty decent on any C.V. thank you very much!  

Chorus Tenor Auditions in New York City for LYRIC OPERA OF CHICAGO on Monday, April 12,  for Lyric’s 2010-2011 Season Macbeth, Carmen, A Midsummer Night’s Dream, A Masked Ball, The Mikado, The Girl of the Golden West, Lohengrin, & Hercules.

William Mason, General Director
Sir Andrew Davis, Music Director
Donald Nally, Chorus Master

Lyric Opera of Chicago will hold auditions in New York City on Monday, April 12 for experienced, classically trained tenors to fill chorus tenor openings in the company’s choral ensemble for the 2010-2011season.

The world-renowned opera company has openings for tenors in its Regular Chorus and Supplementary Chorus for its 56th season, which commences Oct. 1. Lyric Opera of Chicago’s eight-opera season comprises 68 performances in 24 weeks.
 
CHORUS TENOR AUDITIONS will be held in NEW YORK on Monday, April 12, from 4:00 – 9:00 p.m. AUDITIONS ARE BY INVITATION ONLY. To be considered for an audition, tenors should send a current résumé and photo to:

Chorus Auditions Coordinator
Lyric Opera of Chicago
20 North Wacker Drive, Suite 860
Chicago, IL 60606

or choraud@lyricopera.org

The deadline for submitting materials is Monday, April 5, 2010. Once materials are received, applicants will be evaluated by the Chorus Master and appointments will be made for qualified candidates.  Not all applicants who submit a résumé and photo will be asked to audition.  Walk-ins will NOT be seen.

New York City chorus tenor auditions for Lyric Opera of Chicago will be held on the Lincoln Center campus in the Daniel and Joanna S. Rose Rehearsal Studio. The Daniel and Joanna S. Rose Rehearsal Studio is located in the Rose Building, 10th floor, at 65th Street and Amsterdam Avenue.

AUDITION REQUIREMENTS
Lyric Opera of Chicago seeks classically trained tenors who are prepared for a professional career. Candidates are expected to prepare one operatic aria in a foreign language by memory that best demonstrates vocal ability. A second aria may be requested which may be in English. Lyric Opera of Chicago will furnish an accompanist. Candidates must provide a copy of each aria for the accompanist – legible and in the correct key. They should also be prepared to sight read. The ability to read and memorize music quickly and accurately is a must.

Candidates are required to prove United States citizenship; permanent residency; or possess, at the time of the audition, legal permission to work in the United States of America during the rehearsal and performance period.

Please note that guests will not be permitted into the audition site.

For more information please call the audition hotline at (312) 827-3548 or email choraud@lyricopera.org

REGULAR CHORUS
In the 2010-2011 season, first-year choristers will be offered a 32-week contract at a salary of $1,343.50 per week. Musical rehearsals will begin on or about August 2, 2010, with staging rehearsals beginning in September. Prior to the beginning of staging, musical rehearsals will be held Monday through Friday during the day and evening hours. Once staging begins, there will also be weekend rehearsals. A full (tentative) schedule will be provided prior to the commencement of rehearsals. The 2010-2011 performance season runs from October 2010 through March 2011.

SUPPLEMENTARY CHORUS
Musical rehearsals will begin on or about August 2, 2010, with staging rehearsals beginning in September. Music rehearsals involving the supplementary chorus are scheduled on weekdays in the late afternoon and evenings. Once staging begins, there will also be weekend rehearsals. A full (tentative) schedule of rehearsals and performances will be provided prior to the commencement of rehearsals. The 2010-2011 performance season runs from October 2010 through March 2011. The salary for a supplementary chorister depends on the number of productions for which the singer is engaged, ranging from one to four productions. Compensation for a supplementary chorister in the 2010-2011 season ranges from $49.76 to $71.10 per rehearsal hour and $253.00 to $284.50 per performance.

During Lyric Opera of Chicago’s 56th season, the chorus performs in Verdi’s Macbeth and A Masked Ball, Puccini’s The Girl of the Golden West, Bizet’s Carmen, Wagner’s Lohengrin, Handel’s Hercules, and Gilbert & Sullivan’s The Mikado. (Britten’s A Midsummer Night’s Dream uses only children’s chorus.) For more information about the artists and productions of Lyric’s 2010-11 season go to www.lyricopera.org .

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